About a week following the IDA Getting Real, Documentary Film Conference 2014, I find myself continuing to reflect on a fairly charged experience. From the first session GETTING REAL About the Doc Career, to the last I attended, From Distribution to Sustainability: Four Doc Filmmaker Case Studies, frank participation by both panelists and audience, was what made this conference a much needed call to action for filmmakers and the industry at large.
Thom Powers moderated the doc careers panel and opened by saying that when his students ask about sustainable professional lives as documentary filmmakers, he tells them that if he asked 50 doc filmmakers how they make a living, there would be 50 different answers. That pretty much was right on the money, as all panelists (huge panel) make their careers sustainable by balancing media making with other related work, such as teaching, commercial, work-for-hire as DP or editor, advertising, research, etc. Most love what they do, both filmmaking and otherwise, but all talked about sacrifice. Whether it was juggling a personal life/family by only working at odd hours and living off less sleep (i.e. Nina Gilden Seavey, a terrific panelist at multiple sessions) or accepting that a project will take much longer since it’s impossible to work on it full time, it was confirmed that the life of an independent filmmaker isn’t easy. Granted that it never really was, but once upon a time existed a clearer and realistic career path that was much less complicated.
Panelist Tina DiFeliciantonio is part of the newly formed Independent Documentary Sustainability Task Force, which is gathering data for a quantitative analysis of the industry. The Task Force is looking at how the music industry adjusted to the drastic change in their industry. Maybe independent filmmakers can learn from what musicians have already dealt with. DiFeliciantonio boldly pointed out what she called the elephant in the room, and that is, we participate in our own exploitation by exploiting those who work for us. Hard to hear, and easier said than done in terms of fixing the issues, when budgets are beyond thin, but how can we create a living wage for ourselves when we’re not paying one to our colleagues?
Tags: Collective Eye · Dawn Porter · Debra Zimmerman · Doug Block · Esther Robinson · GETTING REAL 2014 · Grizzly Man · IDA Documentary Film Conference 2014 · International Documentary Association · Joe Bini · Jon Betz · Nina Gilden Seavey · Paco de Onis · The D-Word · Thom Powers · Tina DiFeliciantonio · Women Make MoviesNo Comments.